Tilting Axis Announcement

April 14th, 2020. 

The Tilting Axis core team recently gathered at Fresh Milk in Barbados for its strategic meeting to map out its five-year plan towards a sustainable future. We are able to share the following information with our supporters:

Tilting Axis has decided to suspend its annual convening for 2020 which was to be hosted by the National Art Gallery of The Bahamas. Since the devastation of Category 5 Hurricane Dorian and with the more recent impasse on travel from most countries as a result of the COVID-19 pandemic, the decision has been made to suspend this gathering until 2021.

Tilting Axis 5 gathering at the Mémorial ACTe in Guadeloupe May 29th - May 31st, 2019. Image courtesy of the Mémorial ACTe, image by Guillaume Aricique.

We invite you to look at the Tilting Axis 5 report available on our website which archives the meeting hosted by the Mémorial ACTe in May 2019. We also invite you to read Phantasmagoria: The Realms of the Black Imagination, written by the 2019 Tilting Axis Fellow, Lisandro Suriel, who spent time in Scotland. The Fellowship was made possible thanks to our cultural partners including the Glasgow School of Art, The School of Art History at the University of St Andrews, CCA Glasgow, LUX Scotland, Hospitalfield and curatorial duo Mother Tongue. 

Our 2020 Tilting Axis Fellow, Sean Leonard, will postpone the commencement of his fellowship which will now take place from August 2020 through January 2021. Leonard’s fellowship is being supported by Het Nieuwe Instituut in collaboration with Amsterdam Museum, De Appel, The Black Archives and Witte de With.

We will be sharing two open calls with you in the near future - one specifically targeted to grow the core team and the other for cultural institutions to submit expressions of interest to host future iterations of an annual convening. We invite you to stay tuned for those open calls via Tilting Axis’ website and our Facebook group!

The Tilting Axis Core Team would like to wish you and yours safe passage as we ride the waves of the COVID-19 pandemic and as we have navigated difficult challenges before, we will do so again. We thank you for your support and encouragement over the years and look forward to sharing more developments in the very near future.

Yours sincerely,

The Tilting Axis Core Team

Holly Bynoe | Mario Caro | Annalee Davis | Tobias Ostrander | Lise Ragbir | Natalie Urquhart 

Tilting Axis 2020 Fellowship

Announcing the Tilting Axis 2020 Fellowship!

Het Nieuwe Instituut has joined forces with Tilting Axis to offer a Fellowship to one mid-career to established applicant based in the Caribbean. The Fellowship is supported by Het Nieuwe Instituut as lead partner and host, and will include collaborations with The Amsterdam Museum, De Appel, The Black Archives and Witte de With Center for Contemporary Art.

Deadline for submission is 17 November, 2019.

https://tiltingaxisfellowship.hetnieuweinstituut.nl/en

Lisandro Suriel, Tilting Axis Collections and Commissioning Fellow

Tilting Axis Collections & Commissioning Fellow, 2019, Scotland

It is a great honor to receive the Tilting Axis Collections and Commissioning Fellowship 2019, Scotland. I am more than thankful and look forward with great delight to participating in a cross-cultural discourse stemming from the creative ecology of the Caribbean. More so, I look forward to meeting you all! During this fellowship I promise to do my best to absorb everything there is to learn from this experience as well as to contribute to the intelligent imagination that I believe cultivates our realities. To be terse: I am so excited! Let’s do this!

Lisandro Suriel is a Photographer and Artistic researcher born and raised in Saint Martin. He earned his Bachelor’s degree in Photography at the Royal Academy of Art in The Hague and received his Master’s of Art by research in Arts and Culture: Artistic Research at the University of Amsterdam.  As part of his Master’s thesis he analyzed early twentieth century illustrations of West-Indian mythology in relation to cultural aphasia. This research forms the foundation of his on-going artistic research project Ghost Island in which he visually deconstructs the New World-imagination of the African Diaspora.  Lisandro Suriel proposes that the imaginative lens is arguably the best with which to view how folkloric figures act as an agent in history and animate cultural memory. Lisandro Suriel seeks to employ the Caribbean’s own unwritten vestiges of ancestral memory and colonialism imbedded in landscape, architecture, and people to generate imaginative linkages to a political past and social identity. 

LIVE from Dominican Republic with Tilting Axis

From inside Centro Léon, Santiago, Dominican Republic, we introduce Tilting Axis, a roving arts initiative that aims to bridge the geopolitical gap between Caribbean territories by sparking creative collaborations and cultivating cultural connectivity. Organizers Annalee Davis, Natalie Urquhart, Sara Hermann and Joel Butler talk about the genesis of Tilting Axis, why they’re here and what will unfold during the fourth annual gathering. About Tilting Axis 4: The 2018 convening in the Dominican Republic is a collaboration with the curatorial studies program Curando Caribe and two institutions — Centro León, Santiago, and Centro Cultural de España, Santo Domingo. Exploring the theme Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures, artists, curators, stakeholders, instigators and activists debate ideas about the Caribbean’s interdependent future, reimagining the

The Nassau Guardian: Tilting Axis Curatorial Fellow 2018

Tilting Axis Curatorial Fellow 2018
Bahamian Natalie Willis, awarded!

Written by Dr. Ian Bethell Bennett  

As people who view art from outside, we are usually blind to all the moving parts that make art and bring it to us. We tend to think when we hear the term “public art”, for example, that this springs organically from the artist who is simply in his or her studio being creative. As Bahamians and members of an incredibly conservative mindset, we see art as something that will always leave our children poor and disadvantaged, so we discourage them from becoming artists; we discourage them from becoming writers. Yet, at the helm of much public art are leaders who make public art happen. They put things in place. Art does not usually simply spring up out of nothing and nowhere, though it can still be organic.

We need people to facilitate the art, bring it to the public, frame it in productive ways, and produce spaces that allow art and artists to flourish. Some of these people are curators. Curators organize, manage, understand the nuances, intricacies, needs, challenges and possibilities of art and collections. We do not usually see this side of art. 

In the Caribbean, art has bloomed over decades, especially in countries like Jamaica, Cuba and Puerto Rico, as well as the Dominican Republic. Haiti is famous for its art; yet we, as Bahamians tend to diminish Caribbean art and its value. When curators gets a hold of a body of work or a group of ideas the job they do to birth an experience is amazing. Especially when it comes to telling a story through and with the art.

Curating a space is as important as the art that goes in it. Creating a narrative through spacing, organizing, timing, physically hanging works, color scheme and mood, all accentuate how the art is allowed to speak and how the public sees the art or receives it. The process is not passive. As a part of this science, artists or art enthusiasts study for many years to learn how to tell stories with art and how to manage art collections . . .  

Tilting Axis Curatorial Fellow 2018

For the second year, Tilting Axis has facilitated, administered and designed an open call for our Curatorial Fellowship. In a strong partnership with the University of Texas at Austin Art Galleries at Black Studies we issued an open call to find and seek out a curator living and working in the Caribbean who would rise to the occasion to use the resources, collections and moment at hand to advance their practice in a nuanced and sensitive way. The jury panel comprising of Lise Ragbir, Joel Butler, Tobias Ostrander, Holly Bynoe, Annalee Davis, Eddie Chambers, Natalie Urquhart, Sara Herman and Mario Caro (9  in total) had the laborious task of deliberating an exceptionally strong pool of candidates from 7 countries. 

The competition was stiff—reflecting the wealth of talent, and need for increased opportunities, for curators in the region. We are happy to announce that this year’s Tilting Axis 4 Curatorial Fellowship sponsored by and to take place at the University of Texas at Austin, has been awarded to—Natalie Willis, Assistant Curator at the National Gallery of The Bahamas.  At the University of Texas at Austin with access to collections of work by African American and Caribbean artists, Natalie hopes to look beyond nationalist dialogues and examine how shared history presents itself in different cultural phenotypes. As she says, “One root leads to many rhizomes and proliferations of blackness.”

We notified Natalie earlier today—and of her own volition, she wrote the following message:

Tilting Axis
Curatorial Fellow:
Natalie Willis

I am still, frankly, in disbelief. I, perhaps wrongly, didn’t think I would have these opportunities when I moved back to The Bahamas after school. The constant worry for young Caribbeans going off to study who “dare” to come back is that you will hit the ceiling, that you will not have any real chances of upward movement in your career, that you only return at a deficit and for a love of this place. 

You can love this place, and it can love you back, and that love requires heartfelt work. 

The work that dedicated and fierce people have been toiling at for the last 30 years means that you give newer generations unbridled hope at the possibility, care, and freedom of being Caribbean-based cultural workers. I am humbled and so deeply grateful that you are taking a chance on me when it was never “taking a chance” to come back home, it is the work that needs to be done. 

I am overwhelmed, overjoyed, and looking forward to the day I can help some other young Caribbean mind and heart get this feeling of support. Thank you.
 

Biography

Natalie Willis is a British-Bahamian curator and cultural worker. Born and raised in The Bahamas, she received her BA (Hons) and MA in Fine Art at York St John University in the UK. Willis is currently working as an Assistant Curator at National Art Gallery of The Bahamas with a concerted focus on writing aimed at decolonising and decentralising the art archive, and adding to the literature on Bahamian and Caribbean visual culture and developing her burgeoning curating practice. Somewhere in a parallel universe, she still makes artwork.

As an emerging curator desperately trying to not contribute to the brain-drain of the Caribbean, she has dedicated her time at the NAGB to focusing on knowledge building and access through text and speaking to the way the colonial tourism of the late 1800s shaped the cultural and physical landscape of the Anglo-Caribbean. 

Willis has been an invited speaker at the Caribbean Studies Association  Conference (2017), the Museums Association of the Caribbean Annual Conference (2016). Most recently, she took part in the Goldsmiths + British School at Rome Summer Intensive Course, themed “Curating the Contemporary”, in Rome in 2017.

Tilting Axis 4 Programme

Tilting Axis 4: Caribbean Cultural Ecologies

Tilting Axis 4
in collaboration with Curando Caribe 3

Save the Date (May 31st - June 2nd, 2018)

Hosted by Centro León and Centro Cultural de España in Santo Domingo in collaboration with Curando Caribe. Santiago and Santo Domingo, Dominican Republic

Tony Capellán (Dominican Republic, 1955-2017), Garden of Eden. 2011. Courtesy of the Capellán family

Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures

(May 31st - June 2nd, 2018)

The fourth convening of Tilting Axis is set to take place in the Dominican Republic in collaboration with Curando Caribe and two institutions — Centro León and Centro Cultural de España in Santo Domingo —between two cities–Santiago and Santo Domingo–as we aim to shift our location and context to the Hispanophone Caribbean with our theme Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures. Artists, curators, stakeholders, instigators and activists will debate ideas about the Caribbean’s interdependent future in relation to culture, the nature, technology and the role of institutions while sharing creative ways which reimagine our collective futures in relationship with our particular environment and with each other.

Tilting Axis 4 is free of charge and by invitation only.
Please RSVP to tiltingaxis@gmail.com by April 1st, 2018 to confirm your interest in attending.

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Spanish:

La cuarta edición de Tilting Axis será realizada en la República Dominicana en colaboración con Curando Caribe y dos instituciones -Centro León y Centro Cultural de España en Santo Domingo- en dos ciudades -Santiago y Santo Domingo- con el interés de situarnos en el Caribe hispanoparlante para abordar el tema Ecologías Culturales Caribe: Conectando Pasados, Presentes y Futuros. Artistas, curadores, investigadores, activistas e interesados debatirán sobre la interdependencia cultural y su futuro en el Caribe; su relación con la naturaleza, tecnología y el rol de las instituciones al tiempo que compartirán maneras creativas de repensar nuestros futuros colectivos en relación con nuestros entornos particulares y con otros territorios.

Tilting Axis 4 es solo por invitación y libre de costos.
Por favor RSVP a tiltingaxis@gmail.com antes del 1 de abril de 2018 para confirmar su interés en participar.
 

French:

La quatrième édition de Tilting Axis aura lieu en République Dominicaine, en collaboration avec deux institutions–Centro León et Centro Cultural de España–et dans deux villes–Santiago et Saint Domingue–afin de changer notre emplacement et contexte aux Caraïbes hispanophones avec le thème Écologies culturelles des Caraïbes: Reliant les passés, présents et avenirs. Artistes, conservateurs, intervenants, instigateurs et militants débâteront des idées sur l’avenir interdépendant des Caraïbes en ce qui concerne la culture, la nature, la technologie et le rôle des institutions tout en partageant des façons créatives de repenser nos avenirs collectifs par rapport à notre environnement particulier et les uns par rapport aux autres. 

Titling Axis 4 est gratuit et sur invitation seulement.
RSVP à tiltingaxis@gmail.com avant le 1er avril, 2018 pour confirmer votre participation.
 

Dutch: 

De vierde bijeenkomst van Tilting Axis zal plaatsvinden in de Dominicaanse Republiek in samenwerking met Curando Caribe en de instituties - Centro León en Centro Cultural de España in Santo Domingo – tussen twee steden - Santiago en Santo Domingo - omdat we ernaar streven om onze locatie en context te verplaatsen naar de Hispanophone Caribbean met het thema Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures. Kunstenaars, curatoren, aandeelhouders en activisten zullen ideeën bespreken over de onafhankelijke toekomst van het Caribisch gebied met betrekking tot cultuur, de natuur, technologie en de rol van instituties. Tegelijkertijd delen we onze collectieve gedachten in relatie tot onze specifieke omgeving en tot elkaar.

Tilting Axis 4 is gratis en alleen op uitnodiging. Stuur RSVP alstublieft voor 1 april 2018 naar
tiltingaxis@gmail.com om je hiervoor aan te melden.

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Tilting Axis 2018 Programme

www.centroleon.org.do   www.ccesd.org   #tiltingaxisDR   www.tiltingaxis.org

NLS In: Tilting Axis (Ep.24)

NLS In Podcast: A podcast on contemporary art presented by New Local Space in Kingston, Jamaica. Deborah Anzinger is in conversation with Holly Bynoe, Mario Caro and Annalee Davis, about Tilting Axis as a forum to address issues related to the visual arts sector in the Caribbean. Bynoe, Caro and Davis comprise three of five members of the core Tilting Axis team which also includes Tobias Ostrander and Natalie Urquhart.

Save the Date — Tilting Axis 3: Curating the Caribbean

View fullsize

Tilting Axis 3: Curating the Caribbean (May 18 -20, 2017) builds on discourses begun at the inaugural 2015 meeting held in Barbados followed by the second iteration in Miami in 2016. This third convening at the National Gallery of the Cayman Islands (NGCI), is inspired by the Latin root of the word, “curare” meaning to take care. TA 3 asks how artist led initiatives, institutions, and government cultural departments among others in the Caribbean are nurturing the visual arts sector through exhibitions, residencies, programming, arts education and cultural policy? The conference will explore forward thinking models actively demonstrating how the Caribbean’s fragile arts ecology is being enriched, provoked and buttressed, through a curatorial lens by professionals both in and out of the archipelago. 

Venue: National Gallery of the Cayman Islands (NGCI)
Date: May 18 - 20, 2017

Tilting Axis 3 is free of charge and by invitation only.

Please RSVP by February 28, 2017 to confirm your interest in attending at tiltingaxis@gmail.com

Learn more about the event here.

Nicole Smythe-Johnson announced as curator for the Tilting Axis Curatorial Fellowship 2016

Kingston-based curator Nicole Smythe-Johnson has been selected for this year’s Tilting Axis curatorial fellowship.

Smythe-Johnson is a writer and independent curator, who has written for ARC magazine, Miami Rail, Flash Art, Jamaica Journal and a number of other local and international publications. She is currently Assistant Curator on an upcoming exhibition of the work of Jamaican painter John Dunkley at the Perez Art Museum in Miami. She is also working on an Institute of Jamaica publication looking at Jamaica’s National Collection.

The curatorial fellowship is a direct outcome of the Tilting Axis meetings in 2015 at Fresh Milk in Barbados and in 2016 at the Pérez Art Museum Miami. Scotland based cultural partners CCA Glasgow, David Dale Gallery, Hospitalfield and curatorial collective Mother Tongue produced a structural long-term fellowship for an emerging contemporary art practitioner living and working in the Caribbean.

This new fellowship opportunity focuses on the development of pragmatic and critical curatorial development hailing from the Caribbean region, and is research and practice-led, and mentor-based. Designed as a year-long programme between the Caribbean region and Scotland, it offers support for critical development of curatorial practice and gives a practical base in the partner institutions with visits to Scotland and throughout the Caribbean.

During the fellowship, Smythe-Johnson will travel to Scotland in November, and will also undertake research visits to Suriname, Barbados, Cuba and Grenada. Smythe-Johnson said: “I am very excited about the fellowship. I attended the Tilting Axis conference this year in Miami and really savoured the opportunity to meet other arts professionals and hear about other institutions in the Caribbean region. I love my island, but island life can be isolating and there is a real temptation toward the insular. This fellowship then, is the perfect opportunity to build on the connections I made at TA 2016, and get some answers to the questions that came out of that experience. I can't wait to jump in with both feet, starting with Glasgow.”

David Codling, Director of Arts for the Americas, British Council said: “In so many ways which are often overlooked, the Caribbean is the epicentre of the Americas: for better or worse Europe’s involvement with what it called the “New World” began in the Caribbean and for many European countries, including the four nations of the UK, our relationship with the Caribbean is deep, intense and complex. The British Council is proud to support and to be associated with the Tilting Axis Curatorial Fellowship which offers an opportunity to explore and understand that relationship and to promote new conversations.”

Holly Bynoe, co-founder, Tilting Axis said: “In keeping with the notion of tilting the axis which refers to the re-focusing of our gaze and harnessing our collective power to make the visual arts sector more sustainable in ways that resonate with our lived realities in the Caribbean, the introduction of the Tilting Axis Curatorial Fellowship is one example of how this might happen. Tilting Axis 2: Caribbean Strategies made significant strides in its aims to fortify networks and extend the reach of the arts throughout the Caribbean, with its partners in the Global North. I am delighted that the inaugural fellow is Nicole Smythe-Johnson and eagerly anticipate what will come of her research across the Dutch, Spanish, and Anglophone Caribbean, concluding in what I am sure will be a rich and stimulating experience in Scotland.”

The fellowship is in partnership with CCA Glasgow, David Dale Gallery and Studios, Hospitalfield, Mother Tongue and Tilting Axis. Supported by British Council Scotland.

For more information, images or interviews, please contact Julie Cathcart, Communications Manager, CCA – julie@cca-glasgow.com / 0141 352 4911.

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About Nicole Smythe-Johnson:
Nicole Smythe-Johnson is a writer and independent curator, living in Kingston, Jamaica. She has written for ARC magazine, Miami Rail, Flash Art, Jamaica Journal and a number of other local and international publications. She is currently Assistant Curator on an upcoming exhibition of the work of Jamaican painter John Dunkley at the Perez Art Museum in Miami. She is also working on an Institute of Jamaica publication looking at Jamaica’s National Collection. nicolesmythejohnson.com

About CCA:
The Centre for Contemporary Arts is Glasgow’s hub for the arts. The building is steeped in history and the organisation has played a key role in the cultural life of the city for decades. CCA’s year-round programme includes cutting-edge exhibitions, film, music, literature, spoken word, festivals, Gaelic language events and performance. CCA also provides residencies for artists in the on-site Creative Lab space, as well as working internationally on residencies with Palestine, the Caribbean and Quebec. CCA curates six major exhibitions a year, presenting national and international contemporary artists, and is home to Intermedia Gallery showcasing emerging artists. cca-glasgow.com

About Fresh Milk:
The Fresh Milk Art Platform Inc. is a Caribbean non-profit, artist-led, inter-disciplinary organisation that supports creatives and promotes wise social, economic, and environmental stewardship through creative engagement with society and by cultivating excellence in the arts. Fresh Milk spans creative disciplines, generations, and linguistic territories in the Caribbean by functioning as a cultural lab, thriving as a dynamic space for artists through local, regional, and international programming including residencies, lectures, screenings, workshops and projects. We aspire to be a sustainable organization contributing to a healthy cultural ecosystem. freshmilkbarbados.com

About Hospitalfield:
Dedicated to contemporary art and ideas Hospitalfield is a place to work, study, learn, visit and enjoy. Hospitalfield is an artist’s house in Arbroath, on the east coast of Scotland, with a captivating cultural and social history that spans many hundreds of years. The contemporary arts programme is anchored in the visual art yet encourages interdisciplinarity, supporting the production of new work and providing space for debate and learning through residencies, a summer school and four public projects with new commissions each year. The organisation maintains strong national and international working partnerships with the aim of making Hospitalfield a meeting place and cultural catalyst in the working lives of artists, students and creative professionals in Scotland and far beyond. hospitalfield.org.uk

About Mother Tongue:
Mother Tongue is a research-led, independent curatorial practice formed by Tiffany Boyle and Jessica Carden. Since 2009, they have produced exhibitions, screening programmes, discursive events, essays and texts, working in partnership with galleries, museums, festivals, and publishers. Mother Tongue's practice in exhibition-making intersects with research interests – including, but not limited to – post-colonialism, language, translation, heritage, identities, indigenousness, migration, and movement. They are currently researching the presence, work and exhibition histories of artists of colour in Scotland, working towards a future 'AfroScots' exhibition project. mothertongue.se

About Tilting Axis:
Tilting Axis is a roving project conceptualised by ARC Magazine and the Fresh Milk Art Platform Inc. The first iteration was hosted at Fresh Milk in Barbados in February 2015 under the banner Tilting Axis: Within and Beyond the Caribbean | Shifting Models of Sustainability and Connectivity. Tilting Axis 2.0 was hosted by the Pérez Art Museum Miami in February 2016. This meeting explored the current state of cultural work in the Caribbean, and aimed to fortify networks, increase administrative and programming capacities, as well as transfer knowledge and funding opportunities to those working in the region. The Tilting Axis Emerging Curatorial Fellowship developed out of the second iteration and the next edition of the meeting is slated to take place in April 2017, hosted by the National Gallery of the Cayman Islands (NGCI). tiltingaxis.org

About The British Council:
The British Council is the United Kingdom’s international organisation for cultural relations. The British Council creates international opportunities for the people of the UK and other countries and builds trust between them worldwide. We call this cultural relations. We build trust and understanding for the UK to create a safer and more prosperous world. In terms of our reach and impact, we are the world’s leading cultural relations organisation. Cultural relations is a component of international relations which focuses on developing people-to-people links and complements government-to-people and government-to-government contact. We use English, Arts, and Education and Society – the best of the UK’s great cultural assets – to bring people together and to attract partners to working with the UK. The British Council has over 7,000 staff working in 191 offices in 110 countries and territories. britishcouncil.org